|Statement||by Alexandre Benois. Translated by Mary Britnieva|
|The Physical Object|
|Pagination||xiv, 414 p.|
|Number of Pages||414|
Additional Physical Format: Online version: Benois, Alexandre, Reminiscences of the Russian ballet. London, Putnam  (OCoLC) Reminiscences of the Russian ballet, Hardcover – January 1, by Alexandre Benois (Author) › Visit Amazon's Alexandre Benois Page. Find all the books, read about the author, and more. See search results for this author. Are you an author? Learn about Author Central Author: Alexandre Benois. Reminiscences of the Russian ballet by Benois, Alexandre, Borrow this book to access EPUB and PDF files. IN COLLECTIONS. Books to Borrow. Books for People with Print Disabilities. Internet Archive Books. Uploaded by stationcebu on February 8, SIMILAR ITEMS (based on metadata) Pages: Insription in ink by the previous owner on title foxing throughout the attractive dust jacket,design for Giselle,and on spine and end papers,front and al reminiscences of the Russian ballet from and his relationship with Diaghilev.
Tamara Platonovna Karsavina (Russian: Тама́ра Плато́новна Карса́вина, 10 March – 26 May ) was a Russian prima ballerina, renowned for her beauty, who was a principal artist of the Imperial Russian Ballet and later of the Ballets Russes of Sergei settling in Britain at Hampstead in London, she began teaching ballet professionally and became Born: Tamara Platonovna Karsavina, 10 March , St. . This is a book purely for those with an interest in and knowledge of ballet. It is a great insight into the world of both the Imperial Russian Ballet and the Ballet Russes by one of the star dancers of the time, Tamara Karsavina/5. "A Century of Russian Ballet" brings its readers as close as written records can to the realities of being a student, dancer, choreographer or critic in Russia, from the period to It is built on a framework of famous ballets (translations of the printed libretti of which are included) by such celebrated choreographers as Charles Didelot, Filippo Taglioni, Jules Perrot, Arthur Saint. From to and again from to , Benjamin Lumley () was manager of Her Majesty's Theatre in London, the great nineteenth-century English home of romantic ballet and Italian was studying for the bar when, in the to season, Pages:
Bringing Fokine to Light - Volume 16 Issue 2 - Karen Nelson. Kirstein, Lincoln, Nijinsky Dancing (New York: Alfred A. Knopf, ), pp. 30 – In an earlier book, Fokine (British-Continental Press, Ltd., ), p. 64, Kirstein listed Fokine's strong points: “To have studied under Fokine is to have experienced an unforgettable illumination into the sources of gesture, the definition of. An exciting, wonderfully researched look onstage and backstage at the Russian Ballet between and The story is built on a framework of famous ballets by such celebrated choreographers as Charles Didelot, Filippo Taglioni, Jules Perrot, Arthur Saint-Leon, Marius Petipa and Mikhail Fokine. Onto this framework are placed eyewitness accounts and criticisms, including biographies of. LESSONS IN CLASSICAL BALLET Vera Kostrovitskaya, STORIES OF THE GREAT BALLETS George Balanchine and Francis Mason, A CAMERA AT THE BALLET - Pioneer Dancers of the Royal Ballet Gordon Anthony, A CENTURY OF RUSSIAN BALLET - Desk Diary Jeremy Noble, A DANCER'S WORLD Margot Fonteyn, A HISTORY OF RUSSIAN BALLET. Translated from the Russian. "This book is based on a dozen printed ballet libretti"--Introd. Reminiscences of the Russian ballet. Translated by Mary Britnieva. New York, Da Capo Press, xiv, p.,  leaves of plates. illus. 23 cm. Da Capo series in dance. Translation of Vospominaniia o balete. Reprint of the ed.